MEMORY AND THE NEO-SLAVE NOVEL IN COLSON WHITEHEAD’S THE UNDERGROUND RAILROAD AND TA-NEHISI COATES’ THE WATER DANCER

Resumen

This analysis investigates two recent African-American novels, namely, The Underground Railroad (2016) by Colson Whitehead and The Water Dancer (2019) by Ta-nehisi Coates from the configurations proposed by the literary genre known as neo-slave narratives. These narratives are postmodern fictional reinterpretations of 19th century slave narratives which had a fundamental role in the American process of abolition. First, I will provide a brief overview of neo-slave narratives, particularly with regards to the North American literary context, and proceed to investigate how the two novels can be classified as belonging to this genre. Second, I will focus on the role of memory in both novels as forgotten historical events and religious myths are revisited by the writers. As theoretical support, I will turn to authors such as Bernard Bell, Ashraf H.A. Rushdy, Toni Morrison, Valerie Smith, among others, who investigated not only the reasons for the emergence of neo-slave narratives, but also reflected on the implications that these postmodern narratives have for the memory of slavery.